July 1, 2008 | Book One, Book Stuff, DA Series, Draven Atreides, Life in General, Movie Queue, The 4-1-1 on Me, Weekend Wrap-Up, writing workshops
Saturday, I attended a writing class taught by former university professor and indie pub owner, Pamela Goodfellow of Goodfellow Publishing. She teaches a 3-Level, 8-week program, Crafting the Character-based Novel out of her home. She likes her classrooms smaller nowadays. Needless to say, I’m looking forward to taking the program and her being my editor. Saturday’s session had to do with scenes. I learned so much that I’ve decided to share the highlights with all you writers out there:
1) Get rid of dialogue attributions. These are the words you tag when your characters are talking: she said, she beamed, she laughed, she cried out, she teased, etc. I had no idea those even had a name until I took her class. Unfortunately, I do that a lot. As I’m sure all you other writers out there do, too. Pam says “If you are writing in character, you do not need to use dialogue attributions because the reader already knows who is talking or thinking. To show the reader this you may use action, reaction or emotional responses. You can also set up gestures and tagged responses for the reader to get to know the style of dialogue for each character. It is not easy to do. The simple thing to do is to use and attribution. But, if you want to write in character you must force yourself to learn by never using them.”
2) The 3 stages of human emotional response are visceral (physical), behavioral (instintive and learned response) and chosen (where the story is)
3) Every scene has to have a hook.
4) Use place holders in your scenes. It’s basically explaining something that the reader should already know. Pam says “You use a place holder because you know the reader will understand it; usually a cliché’s or an explanation of something that had happened earlier in the character’s history. If you recognize this in your own work, when you go back to revise and edit, you can take that place holder out and write a scene to set up what you were trying to explain in the original scene. Then when the reader gets to the original scene he/she will already have the information needed and will feel so very smart to understand the emotions of the character he/she has become attached to. It is really a secret to “showing” and not “telling”.”
4) A character cannot have the same emotional curve at the beginning than they do at the end. Emotional Curve is the name given to describe the emotional development of a character throughout the story. For instance, a character who starts out cynical and untrusting of men at the beginning of a story can’t remain like that by the end. It doesn’t have to be a happy ending, but you have to show the character as growing and changing emotionally. Pam says, “It is the emotional changes that make the story real and relevant to the reader.”
One thing she did tell me was that I’d have to change it from present tense to past tense. That’s going to be a lot of work. Good thing I’m up for the challenge. Clearly, I myself need to grow as an author still–and as we all know, learning to be a better writer is a never-ending process–and I look forward to working with her.
Saturday night, the hubby and I went to see Wanted. Very. Cool. Movie. We loved it. It even had some supernatural undertones to it, which made it even more interesting. I mean, besides the fact that they were a secret society of assassins, they have this…unusual ability. The hero (James McAvoy) thought he was having anxiety attacks, only to find out it was nothing close. The one thing I’ve discovered lately is that–SPOILER AHEAD–I don’t like it when Morgan Freeman plays the bad guy. I haven’t seen his full repetoire of movies, but this is the third movie (Chain Reaction, Lucky Number Slevin being the first two) in which he’s been the bad guy and I don’t like it. I realize actors and actresses need to mix it up a bit, but he doesn’t appear evil to me. I can’t picture him torturing someone or being the mastermind behind a plot to do harm. Some people have it and some people don’t. He’s one of the people that doesn’t.
On Sunday…
I did two weeks worth of laundry. In one day. At least, it seemed like two weeks worth. And most of it was mine. The hubby will wear the same shirt, pants or shorts 2-3 days in a row before tossing it in the hamper. That’s definitely a guy thing, right? We also worked on the cover for DA Book One and created some new bookmarks for Secrets and Kisses and Dance Jam Productions. I’ll bust those out another time.
As I mentioned last week, yesterday was the final day for Chapter One. Hope you all enjoyed reading it. Your comments are greatly appreciated. Come back on Monday, July 7th for Chapter 2.
So, how was your weekend?
Technorati Tags: Pamela Goodfellow, Goodfellow Publishing., Crafting the Character-based Novel, Wanted., James McAvoy, Morgan Freeman, Chain Reaction, Lucky Number Slevin, Secrets and Kisses, Dance Jam Productions
