Archive for the 'The 4-1-1 on Me' Category

April 25, 2011 | Random Thoughts,The 4-1-1 on Me

I want to preface this by saying that the woman I’m talking about in this post is frickin’ hilarious. She’s a sassy Latina with a great sense of humor and although I don’t interact with her on a regular basis, she’s a great person.

The other day, my supervisor and I were talking with another co-worker and my supervisor made a comment about her wearing tennis shoes.

“Oh yeah, I have to wear these now. When I was working out, I would get this painful cramp in my feet. Sometimes it hurt so bad that I was practically hobbling back to the locker room! It was a little crazy. It would always happen while I was working out, so I finally went to the doctor and he told me it was because I was wore high heels. Now, I can’t wear them anymore. I may start out wearing them in the morning, but halfway through the day, I have to slip these on. I had no idea high heels could cause problems with your feet, knees and back.”

I just looked at her in disbelief. “I—uh, seriously?”

She was smiling when she said it, but she was serious. Yeah. Wow.

That’s when I started laughing.

I wanted to say, “There’s a reason why they’re called Killer Heels. They may be pretty and make your legs look like they should be insured for millions of dollars, but they kill your feet.” But I didn’t.

All those runway models and famous actresses who wear heels on a daily basis may look good from the ankles up, but I bet you anything they’re feet are a freakin’ mess!

April 20, 2011 | Road Trip Wednesday,Secrets and Kisses,The 4-1-1 on Me

Road Trip Wednesday is a “Blog Carnival”, where YA Highway‘s contributors post a weekly writing or reading-related question and answer it in on our own blogs. You can hop from destination to destination and get everybody’s unique take on the topic.

You’re more than welcome to participate! Just answer the question on your own blog, and leave a link to it in their comments.

This week’s question: Compare your first kiss with your favorite characters first kiss

Well, my favorite character is Draven, and seeing as how she hasn’t had her first kiss yet, that’s not gonna help for this post. Ironically, or not, my first kiss was much like Skylar’s in my first book, SECRETS AND KISSES. Granted, I didn’t check out a how-to book from the library like she did, but I sure as hell wanted to. LOL. If the special moment ever came around, I was afraid I wouldn’t know how to do it. I crushed on so many guys during high school, but never dated. African Americans were the minority at my school, and while I was all down with the whole interracial thing, not too many guys at my high school were. At least, I don’t think they were.

My first kiss was with my first boyfriend, whom I didn’t meet until I started community college. He was white and kinda had the whole free-spirit-Brad-Pitt-in-Legends-of-The-Fall thing goin’ on. It must’ve not been that memorable because I don’t remember when it first happened or my reaction.

April 3, 2011 | Book One,Creative Soulery,DA Series: The Graphic Novel,Draven Atreides,Draven Atreides, Teenage Informant Series,Life in General,The 4-1-1 on Me,Writer Moment,Writing Movements

Session #1 – Mar 17th

Session #2 – Mar 31st

This time, I did a lot better. I took a page from the script section in the IDIOT’S GUIDE TO CREATING A GRAPHIC NOVEL and copied the format of that script. Very, very helpful.

I stopped over-describing things, but still described things. If that makes sense. And Bry still suggests that I should cut down on the dialogue. CLICK ON LINK FOR FULL-SIZE VIEW

When I sent him these next 5 pages, I said this in my email:

• I revamped it a little after we talked. I liked your idea about the full page of the spa and police cars with flashing lights in the parking lot. I also liked your idea about the initial meeting between Draven and the agents. That was pretty much the whole first chapter.

• I know what you’re going to say about some of the dialogue (too much), but it’s going to be a graphic novel, not a comic book. And I liked the way Richard Sala did it in CAT BURGLAR BLACK.

• At one point, I had decided to model my novel after CBB: 126 pages, roughly 16 pages per chapter. The first chapter actually had 40 pages. And it’s only got 5 chapters! But I like the prose-with-picture theme that Hannah proposed, which made me think of a diary format (Kinda like “Diary of a Wimpy Kid”. I’ll bring a copy tomorrow so you can see what I’m talking about. And no, the copy isn’t mine. I borrowed it from a co-worker who’s got a kid). LOL): where it’s like Draven’s telling the story (pictures) and will occasionally “interrupt” and provide a little commentary. You’ll see what I mean when I use the different font.

In regards to that last bullet point I would like to add that this is Book One. I feel that this first time, there needs to be a bit of explanation as to Y.I.D.’s purpose and a little background on Draven’s target. I may cut it a little bit, but for now, I think the wordiness needs to stay. Of course, that may change once the illustrator gets his/her hands on it. Since I’ve decided to go the picture-and-prose route, that per chapter page length might not work (although I’d like to keep the 126 total page length). I think it would really depend on how I do the prose. But an idea Bry came up with regarding the cover got me a little fired up about how this GN will look when it’s printed.

Without giving away too much, the cover is going to look like a file folder and the concept was that Draven would be telling the story like a diary (with pictures), so the pages would look like lined paper (i.e. DIARY OF A WIMPY KID series). But if it’s going to look like a folder on the outside, it should look like one on the inside, too, right? Not like a diary, wouldn’t you say? Yeah, that’s kinda what I was thinking. And the contents of a folder generally have a lot of notes in the margins, sticky notes, pages of actual notes, etc. Draven does a lot of internal thinking and she also keeps journal-style notes of her activities and findings.

Bry came up with a fabriffic idea that during these points in the book, I should use an actual image of a Post-It note with writing on it…or an actual blank page with typed up notes…or a note in the margin that’s one of her internal thoughts.

How. Freakin’. Cool. Is. That?

I never would of thought to do something like that. Bry continually opens my eyes and shows me how much you can do in a GN and how it’s all about The Visual.

“So, how did it feel this time? Was it more difficult?” he asked.

“The script format is easier. The re-writing is a little difficult, still. I’m starting to realize that I’m cutting out whole chapters,” I told him.

He shook his head and said, “No. Don’t think of it as cutting out, but just writing it in a different way. If you think of it like that, it should get easier.”

Which totally makes sense. I’m used to describing EVERYTHING and a lot of the things I’m describing can now be images. So really, all that’s left is dialogue and Draven’s inner thoughts.

During these past two sessions with Bry, I’ve had so many Lightbulb Moments it’s ridiculous. That one however, felt less like a lightbulb and more like a spotlight. LOL.

And now you see why I love working with him.

Lessons Learned:

~ Start looking for an illustrator now – It took Bry 7 months to find his. I was thinking that I needed to wait until the story was done, but I already have the story. Duh.

~ In selecting an illustrator, be well, selective – Don’t send the whole script, just a few pages to see how they perceive your characters. Website is preferred (so you can at least see a portfolio), if not, have them send samples. If you can’t pay the artist (which is preferable for me, but let’s get real here…), then work out a talent+trusting relationship+belief in the project=the-money-will-come-and-we’ll-split-it-50/50 situation.

~ Assign a color to each main character to indicate who’s talking – Especially if the dialogue takes place off-panel.

~ is WAY more helpful to me than . Sorry Scott.

~ Just like writing a novel, there’s no right or wrong way to write a GN. REALLY. – It’s whatever works and feels comfortable to you and your illustrator. This is actually something Bry has to keep reminding me about, but sadly, it’s going to take a little longer to absorb. LOL.

Technorati Tags: IDIOT’S GUIDE TO CREATING A GRAPHIC NOVEL, DIARY OF A WIMPY KID, Post-It

March 26, 2011 | Life in General,The 4-1-1 on Me

Within the past year, I’ve become a member of a couple of local nonprofit organizations. I figure since my career is going to be in the nonprofit sector, then I’d better get busy and get in it. Lately, I’ve been attending nonprofit workshops, seminars and forums and–along with school–it’s gotten me fired up about starting my own NP. All this information I’ve been soaking up needs to be released, so I created another blog to let it all out.

The Write Zone is going to be the name of my nonprofit (don’t know if it’s available. Guess I should check on that, huh?) and I’ve decided to chronicle my journey to its grand opening (whenever that happens) on that blog. I’ve been learning so much and want to talk about it more, but feel it’s not right for this blog. This is my author site and I’ve gotten away from talking about writing for YA–until recently, that is–and I don’t want to clutter it up anymore with talk of school and nonprofit stuff. I’m going to school so I’ll know how to run a nonprofit. And while it’s going to involve writing, it’s not going to be centered on YA.

Which is where The Write Zone comes in.

I think I tried this same thing when I first started school back in 2009 and it didn’t work. Probably because I wasn’t seeing the forest for the trees.

But now I’m in the forest.

And I want to talk about what I’m seeing and doing and discovering.

So, if you’re interested in that part of my life, feel free to click on the link above and Friend me over there.

March 22, 2011 | Creative Soulery,DA Series: The Graphic Novel,Draven Atreides,Draven Atreides, Teenage Informant Series,Life in General,The 4-1-1 on Me,Writing Movements,writing workshops

So, as you all know, I’ve decided to turn the DA series into a graphic novel series. My homework was to take the first 5 pages of some comic books that he gave me and re-write them. I thought about that and eventually decided to change it up. I told Bryan that I wanted to script out the first 5 pages of DA Book One. When we met up last Thursday, Bryan had brought examples of his earlier scripts. He also brought sample scripts for X-MEN XENOGENESIS by Warren Ellis and a sample script from CATWOMAN. I tried reading those manga books I mentioned in the above link (for the teen speak) and couldn’t grasp the concept of reading left to right. Or whatever. Too confusing.

However, I did enjoy reading Richard Sala‘s CAT BURGLAR BLACK.

Trying to script the first 5 pages was extremely difficult.The first chapter in Book One is basically the agents heading up Y.I.D. going over the special “deal” with Draven and going over her first assignment. That’s it. The first 5 pages are the agents explaining the deal.

So, here I am, trying to capture all that.

When Bryan brought the first scripts he wrote, at the top, it said “What Not To Do.”

Basically, it was everything that I did in describing how I wanted the panels to look. LOL

I sent him what I did and here’s the first page with his comments (CLICK TO ENLARGE).

Once I get the hang of this script writing thing, I should be able to do it like this (CLICK TO ENLARGE):

See the difference between mine and the X-MEN script?

In regards to this first assignment, he tells me at the top that I need page numbers and asks me “How do you want pacing?” A typical comic book is 22 pages and the whole thing is scripted in 7-9 pages. The whole thing! My “homework” was 6 pages. Granted, graphic novels are different from comic books and I’ll have more leeway in telling the story, but yeah, I’m definitely a nube here. LOL.

In the left-hand margin he says “A lot of movement. Break it down to photos!”

At the very bottom he gives me a tip from Stan Lee: “Never use more than 28 words of dialogue per panel.”

Cutting dialogue and description is going to be hard for me. Especially description. I’m used to describing everything, from what a person wears to scenery to facial expressions. I mean, I’m going to have to cut out a lot of shit!

During the course of our 2-hr meeting, Bryan and I talked about a lot of stuff:

~ Breaking my novel down into 3 acts

~ Figuring out how long I want the novel to be

~ How many pages do I want my GN to be

~ How many panels per page should I have? The typical number is 4-6

~ Start thinking VISUALLY (very important)

~ Study more graphic novels, especially the ones being read by 13-18 yr olds (and hopefully it’s not those manga ones)

~ Read up more on the GN industry (because I need to know the jargon) which is why I bought Scott McCloud‘s UNDERSTANDING COMICS and THE COMPLETE IDIOT’S GUIDE TO CREATING A GRAPHIC NOVEL by Nat Gertler and Steve Lieber.

~ As a writer, I’m going to have to leave my ego at the door….because it’s going to be all about the illustrator, not the writer.

~ Illustrators and writers have a partnership and everything should be 50/50

What I love about working with Bryan is that he comes from the comic book world. Section 1138 is the first comic book he’s creating, yes, but he knows comics. He’s been reading them forever. I, on the other hand, have not. I’m coming from the novel world. We view my novel in two different ways and I love getting his opinion/impression/whatev of my novel. I see my novel as just words, he sees them visually and can tell me, “this could be one whole panel, no dialogue” or “you can show her facial expression here instead of saying this”. It’s going to be difficult, transitioning from novel writing to writing a graphic novel, but I know that there’s a light at the end of the tunnel: Bryan. He’s going to show me how to do this and we’re going to get through this together. He’ll help me create a graphic novel and I’ll help him edit his comic book. A win-win situation.

One of things Bryan mentioned was the fact that my novel should start somewhere else within the story, like an action scene. Which makes sense if you think about it. The majority of the t.v. shows me and my husband watch start out with an action scene. And then the rest of the show is piecing together what happened. I want all the books to begin with a debriefing and end with a psyche eval (it’s part of Draven’s gig and she has to have one at the end of each assignment). So for instance, in Book 2, it would begin with a little recap of what happened in Book One and then segue into assignment #2. By the end of our meeting, Bryan was able to condense the first chapter (10 double-spaced, typed pages) into just 3 GN (Graphic Novel) pages! Three, peoples! I even got a little giddy when he gave me the suggestion for the back cover: a file showing her case. Hah! How awesome sauce is that?

So, in between working full-time, school, and taking non-school related courses like grant writing, I’m going to turn my novel into a graphic novel. This is going to be my way of giving myself some “me” time and not be so consumed with school all the time. We plan to meet a few times a month, and take it slow: 5 pages at a time. Yeah. This. Is going to be interesting. Hope you all stick around for the journey.

Lessons Learned:
~ GNs will be 126 pages long
~ GNs will have 4-6 panels per page
~ Be less descriptive
~ Watch word count

Technorati Tags: X-MEN XENOGENESIS, Warren Ellis, Richard Sala, CAT BURGLAR BLACK, Stan Lee, Scott McCloud, UNDERSTANDING COMICS, THE COMPLETE IDIOT’S GUIDE TO CREATING A GRAPHIC NOVEL, Nat Gertler, Steve Lieber, Section 1138